Now:
Do you wish to get better at writing? Do you want people to adore the ink you
spill? If not, then read no further. If you write only for yourself, only for
release, then continue to do what you do. You lead a simple and pure existence,
like that of a child belting out sounds for the sake of the sounds, and while
someone may say something churlish to you someday, understand that—in
reality—we are all just jealous that your love is purer than our love. So if
that is you, then for the love of God, read no further.
But
suppose that is not you. Suppose you have bitten into the sweet-smelling apple
by sharing your work with another soul and suppose you wish to hold the fire in
your mind against another’s brain—suppose you want to see those flames crackle
and consume. If you want to produce in others the same patterns you have before
your own eyes, then I have some sad news.
Eventually
you must sit down and learn the rules.
You
must learn grammar, all of it, every drop of it all the way down to the en dash
and the em dash. You must make friends with semicolons and make your peace with
the comma, you must know when to protect your punctuation with quotation
marks—which will vary, depending on whether you are American or not. If you
don’t know what I am talking about, you
are not done learning.
You
must write vast swaths of prose, all of it “show.” You must learn how to make
rhythm with your sentences, yet not meander for marathon lengths. If you plunk
all your words into your reader’s arms like one bag of groceries too many, they
will begin to drop things. The eggs might break.
You
must know how to start a novel—how to end one. Worst of all, you will have to
write all the stuff between, and that is no picnic. You will probably have to
do it more than once.
You
will have to work until you have made all the mistakes, and then until you have
unmade all of the mistakes. You will have to work until you notice whenever
your fingers tik-tak the wrong marks down.
Why
do you have to know all this? Why is writing not free anymore, why do you have
to labor the fields, and why can’t you go back to the garden? Well, I’ll tell
you a secret.
We
are learning the rules so that we might break them. You see, when a child
rebels, it is meaningless. Of course the child rebelled. The child knows
nothing about the rules to start with. A true rebel is one who has the power to
obey—and chooses not to. Disobey as a child and you will be laughed at. Disobey
as one with knowledge and power, and only the fools will laugh.
We
learn the rules so that we will know their power, know their purpose, and when
they come so naturally to us that we have to think about breaking them—then it
is time to break them.
I
was always told by a certain set that art has no rules. This is a bold lie. Art
is nothing but artifice, nothing but technique and mastery of technique. But a
time comes when you realize the power behind the rules.
There
are rules to everything—and rules are the things we must master in order to
arrive at the place where there are no rules.
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